Doing Time: Exploring Hermeneutic Temporality in Prison Theater
DOI:
https://doi.org/10.11575/jah.v2023i2023.77072Abstract
According to Gadamer, engaging with a work of art arrests our time and attention, suspends our will, and compels our participation in its unfolding. Time in prison is also arrested time, when our will is suspended and we are compelled to submit to another’s authority. Time inside is often described as an endless present, without meaningful relation to the past or future. The experience of tarrying with art, on the other hand, offers a moment of absolute presentness. This paper explores how these two temporalities differ and overlap in the context of prison theater, namely Shakespeare Behind Bars. Participating in and celebrating the temporality of the work of art allows us to experience the fullness of time and an intensification of being that are absent from a prison temporality characterized as an interminable present. Involvement with art can return us to ourselves and a continuity with our world that imprisonment severs.
Downloads
Published
Issue
Section
License
Authors who publish with this journal agree to the following terms:- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).