What is Imagination? Perspectives Held by New Entrants into a B.Ed. Program
DOI:
https://doi.org/10.11575/ajer.v64i3.56308Keywords:
Imagination, Hume-Vygotsky principles, aesthetic/emotion, cognitive/experience, artistic/reality, Imagination Creativity Education (ICE)Abstract
This paper examines the preconceived notions and prior educational experiences that students entering a Bachelor of Education program have regarding imagination. Prior to the commencement of any course work, students (N=138) were asked in a survey to respond to two questions: “What is imagination?” and “Why do you hold that view?” The findings of this research project revealed that many students held traditional perceptions of imagination, such as the formation of a mental image or a concept of that which is not real or present, and the ability to deal creatively with reality. Students reported that their assumptions were based on ideas communicated to them by older siblings, parents, or primary elementary teachers. The evidence of traditional mindsets respecting imagination held by students entering a Bachelor of Education program calls for a deeper exploration of and conversation about the role of imagination in public education, especially in what some perceive to be a technologically advancing learning landscape requiring the essential 21st century competencies of critical thinking and creativity.
Keywords: Imagination; Hume-Vygotsky principles: aesthetic/emotion, cognitive/experience, artistic/reality; Imagination Creativity Education (ICE)
Cet article porte sur les notions préconçues et les expériences éducatives antérieures relatives à l’imagination d’étudiants au baccalauréat en éducation. Avant de commencer les travaux de leur programme, les étudiants (N=138) ont répondu à deux questions d’un sondage : « Qu’est-ce l’imagination? » et « Pourquoi êtes-vous de cet avis? ». Les résultats de ce projet de recherche révèlent que plusieurs étudiants entretenaient des perceptions traditionnelles de l’imagination, telles que la formation d’une image ou d’un concept mental qui n’est pas réel ou présent, ou bien la capacité d’affronter la réalité de façon créative. Les étudiants ont indiqué que leurs avis étaient basés sur des idées que leur avaient transmises leurs sœurs et leurs frères ainés, leurs parents ou leurs enseignants au primaire. Face à cette mentalité traditionnelle chez des étudiants qui débutent un baccalauréat en éducation, il serait nécessaire d’étudier en profondeur le rôle de l’imagination dans l’éducation publique et d’en discuter, notamment dans le contexte de ce que certains perçoivent comme étant un paysage d’apprentissage caractérisé par des progrès technologiques qui exigent les compétences essentielles du 21e siècle, soit la pensée critique et la créativité.
Mots clés : imagination; principes Hume-Vygotsky : esthétique/émotion, cognitif/expérience, artistique/réalité; Imagination Creativity Education (ICE)
Downloads
Published
How to Cite
Issue
Section
License
UNIVERSITY OF ALBERTA COPYRIGHT LICENSE AND PUBLICATION AGREEMENT
If accepted, authors will be asked to sign a copyright agreement with the following points:
A. Where there is any inconsistency between this Copyright License and Publication Agreement and any other document or agreement in relation to the same subject matter, the terms of this Agreement shall govern.
B. This document sets out the rights you are granting in relation to publication of your article, book review, or research note entitled (the “Article”) through inclusion in the academic journal titled Alberta Journal of Educational Research (the “Journal”) published through the Faculty of Education, representing the Governors of the University of Alberta (the “Journal Editor”).
C. There will be no payment to you for this publication and grant of rights. In consideration of the agreement to publish the Article in the Journal:
1. You are warranting that:
- the content of the Article is your original work, and its content does not contain any material infringing the copyright of others; or, where the Article is not entirely your original work, you have obtained all necessary permissions in writing to grant the rights you are giving in this agreement;
- the content of the Article does not contain any material that is defamatory of, or violates the privacy rights of, or discloses the confidential information of, any other person;
- the Article has not been published elsewhere in whole or in part, and you will not allow publication of the Article elsewhere without the consent of the Journal Editor;
- the names of all co-authors and contributors to the Article are:
2. You agree to license the copyright in the Article to the Journal Editor, on a worldwide, perpetual, royalty free basis; and to the extent required by the terms of this agreement. You shall retain the right at all times to be acknowledged as the/an author of the Article.
3. You further agree that the Journal Editor has the entitlement to deal with the Article as the Journal Editor sees fit, and including in the following manner;
- The right to print, publish, market, communicate and distribute the Article and the Journal, in this and any subsequent editions, in all media (including electronic media), in all languages, and in all territories, ing the full term of copyright, and including any form of the Article separated from the Journal, such as in a database, abstract, offprint, translation or otherwise, and to authorize third parties to do so;
- The right to register copyright of the Journal;
- The right to edit the Article, to conform to editorial policy as the Journal Editor sees fit.
4. If any co-author or contributor to the Article does not sign this agreement, the Journal Editor reserves the right to refuse to publish the Article.